Florian Geddes

PhD Candidate

Courses 2025-26

  • GER 300Y1 L0101 Intermediate German II, MW 11am–1pm
  • GER 401HS L0101 Advanced German II, TR 9–11am
  • BMS 331H1S The History of the Book: Elements of Bibliography and Print Culture, W 3–5pm

Office Hours

Mondays, 2–3pm
Odette Hall, Room 307

Research

My dissertation focuses on late medieval and early modern German heroic poetry collections known as “Heldenbücher” (working title: The Making of the ‘Book of Heroes’ (15th/16th c.): Textuality, Materiality, and the History of the Book). In my research, I combine literary theory with methods from the field of book history, thus reading the corpus of the Books of Heroes not only as compilations of poetic texts but also as material artifacts. As a result, my work revolves around the production and reception of heroic poetry between manuscript and print culture, transformation and adaptation processes throughout the textual history of individual poems, and the many ways in which manual labor, material, and text intersected in creating the Books of Heroes.

As part of a five-year project on “Medieval Undergrounds” (PI: Prof. Markus Stock) generously funded by the Canadian Social Sciences and Humanities Research Council, I work on literary and visual representations of the subterranean in Middle High German heroic poetry. Caves, tunnels, and hollow mountains play a prominent role in this genre as sites of heroic challenge, transgression, and transformation. My research in this area focuses on the entanglement of human and nonhuman agents with subsurface environments, fantasies of the generative potential of underground spaces, and the complex literary figure of the dwarf.

Publications

Submitted to Florilegium for peer review: “Encountering the Exterranean in Heroic Poetry: Laurin.”

Translations

Florian Geddes, Walker Horsfall, Astrid Klee, Wanwisa Oungcharoen, Markus Stock, and Jingyi Yang: Minnesinger Lab: Burkhard von Hohenfels in English Translation. Online, 2024.

Conference Papers

  • Coming up: 2026 MLA Convention: “Woodcut Reuse in Early Modern Epic Poetry Collections.”
  • September 2024: German Studies Association: 48th Annual Conference: “Printers’ Perspectives on Epic Poetry: Books of Heroes (1479–1590).”
  • May 2024: Medieval Undergrounds: The 16th Annual Toronto German Studies Symposium: “Closed Doors and Dwarven Secrets: Laurin’s Mountain Kingdom.”
  • December 2019: Cologne-Toronto Graduate Student Colloquium (hosted by the Zentrum für Mittelalterstudien, Cologne): “Old Tales in a New Medium: On the Prefaces of Printed Books of Heroes (1479–1590 CE).”

Presentations

  • March 2025: Colloquium for Medieval and Early Modern German Studies at Stanford University and University of California, Berkeley: “Mountain, Prison, Tomb: Laurin’s Subterranean Realm.”
  • April 2024: Graduate Research Colloquium at the Department of Germanic Languages and Literatures, University of Toronto: “Why Materiality Matters: Laurin’s Rose Garden.”
  • November 2023: International Graduate Colloquium for Medieval and Early Modern German Studies at Princeton University: “Epic Poetry Between Manuscript and Print: The Making of the Heldenbuch.
  • September 2023: Urban Encounters/Stadtbegegnungen: A Workshop on the Past, Present, and Future of the City (Department of Germanic Languages and Literatures, University of Toronto): “Frankfurt, a new Athens? Henri Estienne, Marx Mangold, and the Frankfurt Book Fair.”
  • September 2021: Forms of Commentary in Literature (Virtual Workshop): together with Jennifer Gerber (Goethe University Frankfurt am Main): “Maeren Prologues and Epilogues.”
  • January 2021: Forms of Commentary in Literature (Virtual Workshop): together with Jennifer Gerber (Goethe University Frankfurt am Main): “Narrators as Commentators. Heinrich Kaufringer’s Der feige Ehemann.”
  • November 2020: JHI Working Group “Bridging Disciplines in Manuscript Studies” (University of Toronto): “Print in the Age of Manuscript? Emperor Maximilian’s Theuerdank and Early Printing in Germany.”